Family Rituals

Funeral Rituals

 
         

A Humanist Funeral Service
adapted from book of same title
by Corlis Lamont
Prometheus Books
Buffalo & New York City

 
 

An excellent site to research Modern & Ancient Funeral Rites on the Internet is found at:
http://www.thefuneraldirectory.com/ancientrites.html

 

 

 

 

 

INTRODUCTORY MUSIC

It is usually desirable to have fifteen or twenty minutes of introductory music while people are gathering for the funeral service at the house, apartment, hall, church or funeral home.  For the music, an organ, piano, or recorded music can be used.  It can be any contemporary or classic music which was meaningful to the deceased or to the family of the deceased.  The following selections are but a few suggestions:

 

1.   Handel's ALargo@ from Xerxes

2.   Gluck's ADance of the Spirits@ from Orpheus

3.   Rubinstein's Kamennoi Ostrov

4.   Bach's Come Sweet Death

5.   Massenet's Meditation and Elegie

6.   Aaron Copland's Shaker Tune from Appalachian Spring

7. Any favorite music of the deceased

 

 

 

THE SERVICE

(There is to be a short pause between the introductory music and the service proper.  The beginning of the service can be indicated by the person in charge taking his place.)

 

MUSIC.  Any appropriate solo or music.

 

1.   Beethoven's Seventh Symphony, Second Movement, first third.

 

2.   Any favorite music of the deceased or family.

 

INTRODUCTION:

 

WE are gathered here today to honor the life and memory of __________________________________________.  Death has come to our friend, as it comes eventually to all of us human beings and creatures of the planet earth.

 

READINGS:

 

Whatever appropriate readings are decided upon by the family and friends of the deceased are used here.

 

1.   Philippians 4:8


AWhatever things are true, whatever things are honorable, whatever things are unblemished, whatever things are lovely, whatever things are of good report; if there is any goodness, and if there is any praise, meditate upon these things.@

 

 

 

MEDITATION:

Funeral Rite in MexicoThe occurrence of death forces upon each one of us the common concerns, the common crises and the common destiny of all creatures living on this earth.  Death draws us together in the deep-felt emotions of the heart; it dramatically accents the ultimate equality involved in our ultimate fate; it reminds us of the essential brotherhood of humanity that lies beneath all the bitter dissensions and divisions registered in history and contemporary affairs.  The human race, with its infinite roots reaching back over the boundless past and its infinite consequences extending throughout the present world and ever pushing forward into the future, is one great family.  The living and the dead and the generations yet unborn make up that enduring communion of humanity which shares the adventure of life upon this challenging and stimulating earth.

Here on our planet there have evolved, over millions of years, human beings possessed of the power of mind, the beauty of love, the splendor of heroism.  Men and women, with all their diverse gifts, are fully part and product of the Natural world that is our home.  We are cousins to all other living forms; and in our very flesh and blood one with that same marvelous and multi-structured matter that underlies the whole vast universe, the shining array of stars, the gracious sun, our own world and everything within it.

 


The great and eternal natural world composed of atoms and brains, electricity and feelings, quasars and consciousness was the blessed possession of our friend _______________________.  We share with him/her the kinship with humanity.  We walk with him/her through the valley of the shadow of death.  We feel sorrow, pity, forsakenesss, loneliness, joyCall of those perceptions which stem from consciousness unique in this world of electrons and impersonal forces.  We share a kinship with our deceased brother/sister in this natural world.  None of us lives to himself/herself and none of us dies to himself/herself.  We bear the stamp of the physical pattern which enables our spirits to exist and soar.  We share the transformation, beginnings, endings; birth, growth, death.  Unlike the rocks, trees, and roses, we are conscious of our birth and death.  We dread or embrace them.  We live on in the consciousness which we shared with ____________________________.  So it is that the freshness and delight of each new day, the continual zest of living are tempered by the sting of brevity and loss.

 

As painful as it is to each one of us, death and brevity are woven into the natural universe.  Life and death are different and essential aspects of the same creative process.   It is Nature's law that living organisms should eventually retire from the scene and so make way for newborn generations.  In this sense, life affirms itself through death.  Each one of us Amust die for the sake of life, for the flow of the stream too great to be dammed in any pool, for the growth of the seed too strong to stay in one shape.  Because these bodies must perish we are greater than we know.@  In the greater perspective, then, in the total picture, death is inevitable, but it is also tragic to each one of us.

 

Bird of ParadiseWe must reconcile ourselves with death, with loss, with loneliness, with fear.  We must accept as inevitable the eventual extinction of human individuals and the return of our bodies to the ultimate elements of the natural world.  In death as in life, we belong to our mother earth and to one another.

 

 

MUSIC.  Grieg's AMorning@ from The Peer Gynt Suite.  Other appropriate music.

 

CONTINUED MEDITATION

 

Although it is premature death that is most tragic to our human emotions and awareness, the final parting brought upon us by death, shocks us and causes the tears to flow whenever the ties of love and friendship are involved.  Those who feel deeply will grieve deeply.  No philosophy or religion ever taught can prevent this wholly natural reaction of the human spirit. 

 

Whatever relationships and enterprises death breaks in upon, we can be sure that those whom we have lost are finally and eternally at peace.  And whatever time we have had a friend, we always remain grateful for his/her having lived and for having known him/her and sharing in the amazing and contradictory richness of his/her personality.

 


Nothing can detract from the joy, beauty, tragedy and ugliness which we shared with _____________; nothing can possibly affect the happiness and sorrow and depth of experience that __________________________ knew in his/her experience of life and awareness.  The past, with all its meaning, is sacred and precious.  Our love for him/her and his love for us, his family and friends, are part of us in our conscious and unconscious mind.

 

We rejoice that __________________________ was and is a part of our lives.  [We rejoice that he/she lives on in his beloved children and grandchildren.]  His/her influence endures in the glowing consequences of his/her character and deeds; it endures in our own actions and thoughts.  We shall remember him as a living, vital presence.  That memory will bring refreshment to our hearts and strengthen us in times of trouble.  These are reflections that we treasureCeach in his/her own way; for there can never be too much friendship in our world, too much human warmth, too much love.

Young Man in Cemetry

READINGS:  (may be read in unison by all present).

 

1.   Psalm 23

 

2.   I Corinthians 13:1-8, 13

 

 

 

3.   Gone Too Soon

Music by Larry Grossman; Lyrics by Buz KohanCfrom album Dangerous by Michael Jackson. (Fiddleback Music Pub. Co., Inc.-1991)

 

Like a Comet

Blazing 'cross the evening sky

Gone too soon

 

Like a rainbow,

Fading in the twinkling of an eye

Gone too soon

 

Shiny and sparkly

and splendidly bright

Here one day

Gone one night

 

Like the loss of sunlight

on a cloudy afternoon

Gone too soon

 

Like a Castle

built upon a sandy beach

Gone too soon

 

Like a perfect flower


that is just beyond your reach

Gone too soon

 

Born to amuse, to inspire, to delight

Here one day

Gone one night

 

Like a Sunset

Dying with the rising of the moon

Gone too soon

Gone too soon!

tropical plant

 

 

Planet Earth4.   Planet Earth

Words and Music by Michael Jackson, 1991.

Planet Earth, My Home, my place
A capricious anomaly in the sea of space
Planet earth are you just
Floating by, a cloud of dust
A minor globe, about to bust
A piece of metal bound to rust
A speck of matter in a mindless void
A lonely spaceship, a large asteroid.

Cold as a rock without a hue
Held together with a bit of glue
Something tells me this isn't true
Your are my sweetheart soft and blue
Do you care, have you a part
In the deepest emotions of my heart
Tender with breezes caressing and whole
Alive with music, haunting my soul.

 

In my veins I've felt the mystery
Of corridors of time, books of history;
Life songs of ages throbbing in my blood
Have danced the rhythm of the tide and flood
Your misty clouds, your electric storm

Were turbulent tempests in my own form.
I've licked the salt, the bitter, the sweet
Of every encounter, of passion, of heat
Your riotous color, your fragrance your taste
Have thrilled by senses beyond all haste
In your beauty, I've known the how
Of timeless bliss, this moment of now.

Planet earth are you just
Floating by, a cloud of dust
A minor globe about to bust
A piece of metal bound to rust
A speck of matter, in a mindless void
A lonely spaceship, a large asteroid

Cold as a rock without a hue
Held together with a bit of glue
Something tells me this isn't true
Your are my sweetheart soft and blue
Do you care, have you a part
In the deepest emotions of my heart
Tender with breezes caressing and whole
Alive with music, haunting my soul.
Planet earth, gentle and blue
With all my heart, I love you.

Funeral in New Guinea

 

 

BRIEF PERSONAL REMARKS or TRIBUTES.  (By family or friends.)

 

MEDITATION;

 

On this occasion, as we reflect upon human existence and its meaning, it is for us, the living, to dedicate ourselves anew to those great ethical aims and ideals which have evolved through the ages: to reaffirm that friendliness and sympathy toward one another which are the foundation of the healthy society; to resolve anew to bend our minds and energies in the vigorous pursuit of the truth (no matter where it be found); to create beauty; to advance freedom and brotherhood/sisterhood; to touch one another with kindness and understanding.  Beyond the welfare of our native land, we look to the world at large and seek the happiness and progress of all humanity upon this fragile and fruitful earthCto the end that everywhere men and women may have live and have it more abundantly.

 

May the human race continue to flourish, growing in grace, wisdom and generosity.  May we preserve the fragile and precious forms of life on our planet earth.

 

For the best of all answers to death is a wholehearted and continuing affirmation of life.

 


READING.  From The Passing Strange by John Masefield:

 

For all things change, the darkness changes,

The wandering spirits change their ranges,

The corn is gathered to the granges.

 

The corn is sown again, it grows;

The stars burn out, the darkness goes;

The rhythms change, they do not close.

 

They change, and we, who pass like foam,

Like dust blown through the streets of Rome,

Change ever, too; we have no home,

 

Only a beauty, only a power,

Sad in the fruit, bright in the flower,

Endlessly erring for its hour,

But gathering, as we stray, a sense

Of life, so lovely so intense,

It lingers when we wander hence,

 

That those who follow feel behind

Their backs, when all before is blind,

Our joy, a rampart to the mind.

 

MUSIC.  Brahm's First Symphony, Fourth Movement, first third.

ANNOUNCEMENT:  Concerning the committal/burial service.

MUSIC. 

 

 

BURIAL SERVICE  

 

(This service is designed to take place at the grave.  Two forms of service are here suggested, the second being for a personal comparatively young at the time of his/her death.)

                               I

In committing the body of ____________________ to this hallowed ground, we do so with deep reverence for that body as the temple, during life, of a unique and beloved personality.  And we think of the words of Socrates, Athat no evil can befall a good person either in life or after death.@

Here under the wide and open sky our friend will rest in peace.  We dedicate this simple plot, amid these natural surroundings, to every beautiful and precious memory associated with her/him. 

 

We lay her/his body in that gentle earth which has been the chief support of humanity since we first walked in awareness beneath the sun.  To all human beings, to all living forms, the soil has provided the sustenance that is the staff of life.  To that good earth we now give back the body of our friend and say with the poet Shelley:

 

He/she is made one with Nature: there is heard

His/her voice in all her music, from the moan

Of thunder, to the song of night's sweet bird;

He/she is a presence to be felt and known

In darkness and in light, from herb and stone.

He/she is a portion of the loveliness

Which once he/she made more lovely.

 

 

                              II

 

In saying our last farewell to ________________________, we shall read a sonnet by George Santayana, who once wrote:  AThe length of things is vanity; only their height is joy.@

 

              READING.  From Santayana's To W.P.:

 

With you a part of me has passed away;

For in the peopled forest of my mind

A tree made leafless by this wintry wind

Shall never don again its green array.

Chapel and fireside, country road and bay,

Have something of their friendliness resigned;

Another, if I would, i could not find,

And I am grown much older in a day.


But Yet I treasure in my memory

Your gift of charity, and young heart's ease,

and the dear honor of your amity;

For these once mine, my life is rich with these.

I scarce know which part may greater be,C

What I keep of you, or you rob from me.

 

roses

READING.  From A Pindaric Ode by Ben Jonson:

It is not growing like a tree

In bulk, doth make men better be;

Or standing long an oak, three hundred year,

To fall a log at last, dry, bald, and sear:

A lily of a day

Is fairer far in May,

Although it fall and die that night;

it was the plant and flower of light.

In small proportions we just beauties see;

And in short measures, life may perfect be.

 

 

 

  In committing the body of _____________________ to this hallowed ground, we do so with deep reverence for that body as the temple, during life, of a unique and beloved personality.  here under the wide and open sky our friend will rest in peace.  And we dedicate this simple plot, amid these natural surroundings, to every beautiful and precious memory associated with her/him.

We lay her/his body in that gentle earth which has been the chief support of humanity since we first walked in awareness before the sun.  To all human beings, to all living forms, the soil has ever provided our sustenance as the staff of life.  To the good earth and to the mysterious natural world which are the source of our existence, we now give back the body of our friend, with the full and certain knowledge that, in the words of Socrates, Ano evil can befall a good person either in life or after death.@

 

 

Coyote Howling

 

 

CREMATION SERVICE

(This service is designed to take place in the anteroom or the chapel of the crematorium, just before the cremation itself.  Two forms of service are here suggested, the second being for a person comparatively young at the time of death.)

                              

In committing the body of _________________ to the flames, we do so with deep reverence for that body as the temple, during life, of a unique and beloved personality.  Through the purifying process of fire this body now becomes transformed into the more simple and ultimate elements of our universe.  Fire is itself one of the great forces of Nature.

                      

 

 

 

READING.  From Fruit-Gathering

                  by Sir Rabindranath Tagore:

O Fire, my brother, I sing victory to you.

You are the bright red image of fearful freedom.

You swing your arms in the sky,

you sweep your impetuous fingers across the harp-string,

your dance music is beautiful.

 

My body will be one with you,

my heart will be caught in the whirls of your frenzy,

and the burning heat that was my life

will flash up and mingle itself in your flame.

 

To this same flame, then,

we give finally the body of our friend, ______________,

with the full and certain knowledge that,

in the words of Socrates,

Ano evil can befall a good man

either in live or after death.@


                              II

 

In saying our last farewell to _______________________, we shall read a sonnet by George Santayana, who once wrote:  AThe length of things is vanity, only their height is joy.@

 

              READING.  From Santayana's To W.P.:

 

With you a part of me has passed away;

For in the peopled forest of my mind

A tree made leafless by this wintry wind

Shall never don again its green array.

Chapel and fireside, country road and bay,

Have something of their friendliness resigned;

Another, if I would, i could not find,

And I am grown much older in a day.

But Yet I treasure in my memory

Your gift of charity, and young heart's ease,

and the dear honor of your amity;

For these once mine, my life is rich with these.

I scarce know which part may greater be,C

What I keep of you, or you rob from me.

 

 

Roses in Bloom

READING.  From A Pindaric Ode by Ben Jonson:

It is not growing like a tree

In bulk, doth make men better be;

Or standing long an oak, three hundred year,

To fall a log at last, dry, bald, and sear:

A lily of a day

Is fairer far in May,

Although it fall and die that night;

it was the plant and flower of light.

In small proportions we just beauties see;

And in short measures, life may perfect be.

 

   

In committing the body of _________________ to the flames, we do so with deep reverence for that body as the temple, during life, of a unique and beloved personality.  Through the purifying process of fire this body now becomes transformed into the more simple and ultimate elements of our universe.  Fire is itself one of the great forces of Nature.  In the heavens above it shines out with majestic splendor in the warming and life-giving sun and in all the infinite host of stars; upon our earth it is the versatile servant of mankind and one of the bases of civilization.

To this same fire, then we give finally the body of our friend, ___________________________________, with the full and certain knowledge that, in the words of Socrates, ANo evil can befall a good man either in life or after death.@

 
Whooping Crane
 

                SERVICE FOR INTERMENT OF ASHES

 

(If the ashes are interred in a burial plot, the family may wish to have a further brief ceremony such as the following.)

 

In placing the ashes of _______________________ in this hallowed ground, we think again of all that our dear companion meant and means to us.  And we dedicate this simple plot, amid these natural surroundings, to every beautiful and precious memory associated with her/him.

 

We lay these ashes in that gentle earth which has been the chief support of humanity since he/she first walked awareness beneath the sun.  To all human beings, to all living forms, the soil has provided our sustenance that is the staff of life.  To that good earth we now commit the ashes of our friend and say with the poet Shelly:

 

He/she is made one with Nature: there is heard

His/her voice in all her music, from the moan

Of thunder, to the song of night's sweet bird;

He/she is a presence to be felt and known

In darkness and in light, from herb and stone.

He/she is a portion of the loveliness

Which once he/she made more lovely.

 

 

  Grand Piano  

 

 

         ADDITIONAL SUGGESTIONS FOR MUSIC

 

Most of the pieces of music mentioned are available in scores for both piano, organ and other instruments.  It is comparatively easy for a trained musician to transcribe piano into organ music where that may be necessary.  Many of them are also available on Compact Discs or Cassette Tapes.

 

Londonderry Air C Anonymous (Old Irish)

 

ASonatina@ from Cantata 106 by Johann Sebastian Bach (1685-1750)

 

Third Symphony (Eroica), Second Movement by Ludwig van Beethoven (1770-1827)

 

A German Requiem, first fourth by Johannes Brahms (1833-1897)

 

Marche Funebre by Frédéric Chopin (1810-1849)

 

Clair de Lune by Claude Debussy (1862-1918)

 

Delius Over the Hills and Far Away, opening part

 

Fifth Symphony (New World), Second Movement, first third by Antonin Dvorak (1841-1904)

 

Ave Maria by Charles Gounod (1818-1893)

 

The Last Spring by Edvard Grieg (1843-1907)

 

ADead March@ from Saul by George Friedric Handel (1658-1759)

 

AWandering Westward@ from Mark Twain by Jerome Kern (1885-1945)

 

AOld Man River@ from Show Boat by Jerome Kern (1885-1945)

 

Liebesleid by Fritz Kreisler (     )

 

ATo a Wild Rose@ from Woodland Sketches by Edward Alexander MacDowell (1861-1908)

 

Eine Kleine Nachtmusik by Wolfgang Amadeus Mozart (1756-1791)

 

The Rosary by Nevin

 


Pavane for a Dead Princess by Maurice Joseph Ravel (1875-1937)

 

Death and the Maiden, Second Movement by Franz Peter Schubert (1797-1828)

 

ALiebestod@ from Tristan and Isolde by Richard Wagner (1813-1883)

 


               ADDITIONAL SUGGESTIONS FOR POETRY

 

Death has always been one of the great themes for poets and song lyricists of every age and country.  And there are a vast number of poems about death that embody a Humanist viewpoint.  For inclusion here I am amassing various outstanding poems that give expression to some aspect of the Humanist philosophy and that are appropriate for reading aloud at a Humanist funeral service.  I will continue to search for meaningful expressions of the human condition and the meaning of life and death.

 

 

                        And If He Die?

                     Arthur Davison Ficke

 

And if he die?  He for an hour has been

Alive, aware of what it is, to be.

The high majestic hills, the shining sea,

He has looked upon,; and meadows golden-green.

The stars in all their glory he has seen.

Love he has felt.  This poor dust that is he

Has stirred with pulse of inward liberty,

And touched the extremes of hope, and all between.

Can the small pain of death-beds, can the sting

Of parting from the accustomed haunts of earth,

Make him forget the bounty of his birth

And cancel out his grateful wondering

That he has known exultance and the worth

Of being himself a song the dark powers sing?

 

 

                          In Memoriam

                       Joseph Auslander

 

They are not dead, our sons who fell in glory,

Who gave their lives for Freedom and for Truth;

We shall grow old, but never their great story,

Never their gallant youth.

 

In a perpetual springtime set apart,

Their memory forever green shall grow,

In some bright secret meadow of the heart

Where never falls the snow.

 


                           The Dead

                   Rupert Brooke (1887-1915)

 

                               I

 

Blow out, you bugles, over the rich Dead!

There's none of these so lonely and poor of old,

But, dying, has made us rarer gifts than gold.

These laid the world away; poured out the red

Sweet wine of youth; gave up the years to be

Of work and joy, and that unhoped serene,

That men call age; and those who would have been,

Their sons, they gave their immortality.

 

Blow, bugles, blow!  They brought us, for our dearth,

Holiness, lacked so long, and Love, and Pain.

Honor has come back, as a king, to earth,

And paid his subjects with a royal wage;

And Nobleness walks in our ways again;

And we have come into our heritage.

 

                              II

 

These hearts were woven of human joys and cares,

Washed marvelously with sorrow, swift to mirth.

The years had given them kindness.  Dawn was theirs,

And sunset, and the colors of the earth.

These had seen movement, and heard music; known

Slumber and waking; loved; gone proudly friended;

Fell the quick stir of wonder; sat alone;

Touched flowers and furs and cheeks.  All this is ended.

 

There are waters blown by changing winds to laughter

And lit by rich skies, all day.  And after,

Frost, with a gesture, stays the waves that dance

And wandering loveliness.  He leaves a white

Unbroken glory, a gathered radiance,

A width, a shining peace, under the night.

 

 

  

 

                    Requiem

              Robert Louis Stevenson (1850-1894)

Under the wide and starry sky,

Dig the grave and let me lie:

Glad did I live and gladly die,

And I laid me down with a will.

This be the verse you grave for me:

Here he lies where he longed to be;

Home is the sailor, home from the sea,

And the hunter home from the hill.


                       From Thanatopsis

               William Cullen Bryant (1794-1878)

 

To him who in the love of Nature holds

Communion with her visible forms, she speaks

A various language; for his gayer hours

She has a voice of gladness, and a smile

And eloquence of beauty, and she glides

Into his darker musings, with a mild

And healing sympathy, that steals away

Their sharpness, ere he is aware.  When thoughts

Of the last bitter hour comes like a blight

Over thy spirit, and sad images

Of the stern agony, and shroud, and pall,

And breathless darkness, and the narrow house,

Make thee to shudder and grow sick at heart;C

Go forth, under the open sky, and list

To Nature's teachings, while from all aroundC

Earth and her waters, and the depths of airC

Comes a still voice

So live, that when thy summons comes to join

The innumerable caravan which moves

To that mysterious realm where each shall take

His chamber in the silent halls of death,

Thou go not, like the quarry-slave at night,

Scourged to his dungeon, but, sustain'd and soothed

By an unfaltering trust, approach thy grave,

Like one who wraps the drapery of his couch

About him, and lies down to pleasant dreams.

 

 

                         Sonnet CVIII

                William Shakespeare (1564-1616)

 

Not mine own fears, nor the prophetic soul

Of the wide world dreaming on things to come,

Can yet the lease of my true love control,

Supposed as forfeit to a confined doom.

The mortal moon hath her eclipse endured,

And the sad augurs mock their own presage;

Incertanties now crown themselves assured,

And peace proclaims olives of endless age.

Now with the drops of this most balmy time

My love looks fresh, and Death to me subscribes,

Since, spite of him, I'll live in this poor rhyme,

While he insults o'er dull and speechless tribes:

and thou in this shalt find thy monument,

when tyrants' crests and tombs of brass are spent.

 

 


                         From Adonais

               Percy Bysshe Shelley (1792-1822)

 

                              XL

 

He has outsoared the shadow of our night;

Envy and calumny and hate and pain,

And that unrest which men miscall delight,

Can touch him not and torture not again;

From the contagion of the world's slow stain

He is secure, and now can never mourn

A heart grown cold, a head grown gray in vain;

Nor, when the spirit's self has ceased to burn,

With sparkless ashes load an unlamented urn.

 

                             XLII

 

He is made one with Nature: there is heard

His voice in all her music, from the moan

Of thunder, to the song of night's sweet bird;

He is a presence to be felt and know

In darkness and in light, from herb and stone,

Spreading itself where'er that Power may move

Which has withdrawn his being to its own;

Which wields the world and never-wearied love,

Sustains it from beneath, and kindles it above.

 

                             XLIII

 

He is a portion of the loveliness

Which once he made more lovely: he doth bear

His part, while the one Spirit's plastic stress

Sweeps through the dull dense world, compelling there,

All new successions to the forms they wear;

Torturing th' unwilling dross that checks its flight

To its own likeness, as each mass may bear;

And bursting in its beauty and its might

From trees and beasts and men into the Heaven's light.

 

 

                 On His Seventy-Fifth Birthday

               Walter Savage Landor (1775-1864)

 

I strove with none, for none was worth my strife.

Nature I loved and, next to Nature, Art:

I warmed both hands before the fire of life;

It sinks, and I am ready to depart.

 

   

 

 

From On the Nature of Things, Book III

                    Lucretius (98?-55 B.C.)

                 (Translated by W. H. Mallock)

No single thing abides; but all things flow.

Fragment to fragment clingsCthe things thus grow

Until we know and name them.  By degrees

They melt, and are no more the things we know.

Globed from the atoms falling slow or swift

I see the suns, I see the systems lift

Their forms; and even the systems and the suns

Shall go back slowly to the eternal drift.

Though too, oh earthCthine empires, lands, and seasC

Least, with thy stars, of all the galaxies,

Globed from the drift like these, like these thou too

Shalt go.  Thou art going, hour by hour, like these.

Nothing abides.  Thy seas in delicate haze

Go off; those mooned sands forsake their place;

and where they are, shall other seas in turn

Mow with their scythes of whiteness other bays.

The seeds that once were we take flight and fly,

Winnowed to earth, or whirled along the sky,

Not lost but disunited.  Life lives on.

It is the lives, the lives, the lives, that die.

They go beyond recapture and recall,

Lost in the all-indissoluble All:C

Gone like the rainbow from the fountain's foam,

Gone like the spindrift shuddering down the squall.

Flakes of the water, on the waters cease!

Soul of the body, melt and sleep like these.

Atoms to AtomsCweariness to restC

Ashes to ashesChopes and fears to peace!

O Science, lift aloud thy voice that stills

The pulse of fear, and through the conscience thrillsC

Thrills through the conscience with the news of peaceC

How beautiful thy feet are on the hills!

 

   

 

                          Sonnet

              Edna St. Vincent Millay (1892-1950)

 

And you as well must die, beloved dust,

And all your beauty stand you in no stead;

This flawless, vital hand, this perfect head,

This body of  flame and steel, before the gust

Of Death, or under his autumnal frost,

Shall be as any leaf, be no less dead

Than the first leaf that fell,Cthis wonder fled,

Altered, estranged, disintegrated, lost.

Nor shall my love avail you in your hour.

In spite of all my love, you will arise

Upon that day and wander down the air

Obscurely as the unattended flower,

It mattering not how beautiful you were,

Or how beloved above all else that dies.

 

 


                 From The Garden of Proserpine

            Algernon Charles Swinburne (1837-1909)

 

[English poet and man of letters.  Swinburne is known for his rebellion against Victorian social conventions and religion, his active sympathies with the movements and the leaders of political revolution of his time, and the pagan spirit and musical effects of his poetry.  He was an intense admirer of Shelley and Victor Hugo, and was influenced in his own work by Greek legend and Roman classic literature, medieval romance, and Elizabethan drama.

 

We are not sure of sorrow,

And joy was never sure;

Today will die tomorrow,

Time stoops to no man's lure;

And love, grown faint and fretful,

with lips but half regretful

Weeps that no loves endure.

 

From too much love of living,

From hope and fear set free,

We thank with brief thanksgiving

Whatever gods may be

That no life lives for ever;

That dead men rise up never;

That even the weariest river

Winds somewhere safe to sea.

 

Then star nor sun shall waken,

Nor any change of light:

Nor sound of waters shaken,

Nor any sound or sight:

Nor wintry leaves nor vernal,

Nor days nor things diurnal;

Only the sleep eternal

In an eternal light.

 
 

 

From The Choir Invisible

 George Eliot (1819-1880)

 

[English novelist, Mary Ann (Marian) Evans, who used the pen name George Eliot.  She was of the first rank among Victorian novelists, the daughter of a Warwickshire land agent, a man of strong Evangelical Protestant feeling.  Her severance from her father's religion was a great source of conflict for her and distress for him.  Eliot's fiction (Silas Marner, Scenes of Clerical Life, Adam Bede, Middlemarch and The Radical) are a vehicle for serious discussion of the social and moral problems of her time, but the greatest preoccupation of this complex and unconventional woman was not moral improvement but insight into the internal struggles to arrive at an individual and mature view of life.]

 

Oh may I join the choir invisible

Of those immortal dead who live again

In minds made better by their presence: live

In pulses stirred to generosity,

In deeds of daring rectitude, in scorn

For miserable aims that end with self,

In thoughts sublime that pierce the night like stars,

And with their mild persistence urge man's search

To vaster issues.

 

So to live is heaven:

To make undying music in the world,

Breathing as beauteous order that controls

With growing sway the growing life of man.

So we inherit that sweet purity

For which we struggled, failed, and agonized with widening retrospect that bred despair.

Rebellious flesh that would not be subdued,

A vicious parent shaming still its child,

Poor anxious penitence, is quick dissolved;

Its discords, quenched by meeting harmonies,

Die in the large and charitable air.

And all our rarer, better, truer self,

That sobbed religiously in yearning song,

That watched to ease the burden of the world,

Laboriously tracing what must be,

And what may yet be betterCsaw within

A worthier image for the sanctuary,

And shaped it forth before the multitude,

Divinely human, raising worship so

 

To higher reverence more mixed with loveC

That better self shall live till human Time


Shall fold its eyelids, and the human sky

Be gathered like a scroll within the tomb

Unread for ever.

This is life to come,

Which martyred men have made more glorious

For us who strive to follow.  May I reach

That purest heaven, be to her souls

The cup of strength in some great agony,

Enkindle generous ardor, feed pure love,

Beget the smiles that have no crueltyC

Be the sweet presence of a good diffused,

And in diffusion ever more intense.

So shall I join the choir invisible

Whose music is the gladness of the world.

 
 

                         From Heritage

                    Theodore Spencer (   )

What fills the heart of man

Is not that his life must fade,

But that out of his dark there can

A light like a rose be made,

That seeing a snow-flake fall

His heart is lifted up,

That hearing a meadow-lark call

For a moment he will stop

To rejoice in the musical air

To delight in the fertile earth

And the flourishing everywhere

Of spring and spring's rebirth.

And never a woman or man

Walked through their quickening hours

But found for some brief span

An intervale of flowers,

Where love for a man or woman

So captured the heart's beat

That they and all things human

Danced on rapturous feet.

And though, for man, love dies,

And the rose has flowered in vain,

The rose to his children's eyes

Will flower again, again,

Will flower again out of shadow

Tom make the brief heart sing,

And the meadowlark from the meadow

Will call again in spring.

 


                       Dear Lovely Death

               James Langston Hughes (1902-1967)

 

[American poet whose poetry was Adiscovered@ by Vachel Lindsay.  He was an important figure in the Harlem Renaissance.  Marked by the rhythms of the blues and jazz, often documentary in tone, his poems deal with the tribulations and joys of the Afro-American.  His collection of verse range from The Weary Blues (1926), The Dream Keeper (1932), Shakespeare in Harlem (1942) and One Way Ticket (1949) to Ask Your Mama (1961).  He is also known for his humorous sketches, originally written for a black newspaper, which are collected in Simple Speaks His Mind (1950). Hughes importance to the development of black literature in America can hardly be exaggerated.  His simplicity, directness, musicality, and willingness to employ black idiom, dialect and speech patterns led both to his early vilification by contemporary black critics, who saw him as exemplifying all the aspects of black life they despised and feared, and later, to his recognition as an original voice true to himself and his people.]

 

 

Dear lovely Death

That taketh all things under wingC

Never to killC

Only to change

Into some other thing

This suffering flesh,

To make it either more or less,

But not again the sameC

Dear lovely Death,

Change is thy other name.

 
 

                     John Denver (1943-October 12, 1997 )

[Born Henry John Deutchendorf on New Year's Eve 1943, in Roswell, New Mexico, John grew up in an Air Force family.  His formal education was nomadic, with towns from Kansas to California now claiming him as a hometown boy.  John Denver rose to the pinnacle of every facet of the entertainment industry: the world's leading record seller, a major star of television, one of the biggest concert attractions and a movie star.

Denver sang and wrote about the beauties of nature and of romanticism.  He sang from the perspective of a country boy, and was an avid spokesman for the preservation and enhancement of the human environment, saving the whales, space exploration, and the development of innovative approaches to energy usage.  In 1978 he was appointed by President Jimmy Carter to serve on the Presidential Commission on World Hunger.

In 1976, John founded The Windstar Foundation, which supports the Windstar Project.  Located in Snowmass, Colorado, Windstar is a research and education center devoted to developing workable models for scientific and technological progress which retain a sense of harmony among people working together, between mankind and the physical environment, and between our everyday concerns and our own spirituality.]

                  Poems, Prayers and Promises

              Words & Music C John Denver (1971)

I've been lately thinkin' about my life's time,C

all the things I've done and how it's been,C

I can't help believin' in my own mind

know I'm gonna hate to see it end.

I've seen a lot of sunshine, slept out in the rain,

spent a night or two all on my own,

I've known my lady's pleasures, had myself some friends,

and spent a time or two in my own home.

 

I have to say it nowCit's been a good life all in all,

it's really fine to have the chance to hang around

and lie there by the fire

and watch the evening tire,

While all my friends and my old lady sit


and pass a pipe around

and talk of poems and prayers and promises

and things that we believe in,

How sweet it is to love someone

How right it is to care,

How long it's been since yesterday,

What about tomorrow,

What about our dreams and all the memories we share.

 

The days they pass so quickly now,

the nights are seldom long,

time around me whispers when it's cold.

The changes somehow frighten me, still I have to smile,

it turns me on to think of growing old,

For tho' my life's been good to me,

there's still so much to do,

so many things my mind has never known,

I'd like to raise a family,

I'd like to sail away,

and dance across the mountains on the moon.

 

I have to say it nowCit's been a good life all in all,

it's really fine to have the chance to hang around

and lie there by the fire

and watch the evening tire,

While all my friends and my old lady sit

and pass a pipe around

and talk of poems and prayers and promises

and things that we believe in,

How sweet it is to love someone

How right it is to care,

How long it's been since yesterday,

What about tomorrow,

What about our dreams and all the memories we share.

 

 

 

 


                    Whalebones and Crosses

                      Words by Joe Henry

                    Music by Lee Holdridge

    Copyright 1977, Cherry Lane Music Publishing Co., Inc.

 

Whalebones and crosses stand against the Arctic sky

The wind blows through the graveyard

Where are fallen fathers lie

Eternal snow that covers them the shadows of the sun

The mighty struggle on the seas,

A way of life is run.

 

I'll sing for you, my father for the ancient sacred ways

How the hunter loved the hunted,

how the night becomes the day

The circle of the mighty spirit keeps us in its fold

The warmth of understanding like

A light shot through the cold.

 

Then bring to me my people,

touch them with your loving hands

Lead them from confusion,

Lead them back unto the land

For a sickness seems to block their path

it clouds my people's eyes

The promise that an idle truth

will reap a golden lie.

 

Whalebones and crosses stand against the Arctic sky.

The wind blows though the graveyard

where are fallen fathers lie

The timeless hunt a journey back to

what we once came from

Compassion and nobility

Beneath the Midnight Sun.

 

The mighty struggle on the seas

a way of life is run.


                            Calypso

                From album, Windsong, fall 1975

                Words and music by John Denver

 

[Calypso was written for John's friend, Captain Jacques Costeau, and the crew of the boat Calypso. It is a celebration of the life of a great man and his contribution to the quality of life on this planet.]

 

To sail on a dream on a crystal clear ocean,

To ride on the crest of the wild raging storm,

To work in the service of life and the living,

In search of the answers to questions unknown

To be part of the movement and part of the growing

Part of beginning to understand.

 

Refrain:

 

Aye, Calypso, The places you've been to,

The things that you've shown us,

The stories you tell!

Aye, Calypso, I sing to your spirit,

The men who have served you so long and so well.

 

Like the dolphin who guides you,

You bring us beside you

To light up the darkness and show us the way.

For though we are strangers in your silent world,

To live on the land we must learn from the sea,

To be true as the tide

And free as a windswell,

Joyful and loving in letting it be.

 

Refrain:

 

Aye, Calypso, The places you've been to,

The things that you've shown us,

The stories you tell!

Aye, Calypso, I sing to your spirit,

The men who have served you so long and so well.

 

LIFE IS A JOURNEY


LIFE IS A JOURNEY
of sweetness and sorrow,
Of yesterday's memories
and hopes for tomorrow,
Of pathways we choose
and detours we face
With patience and humor
courage and grace,
Of joys that we've shared
and of people we've met
Who have touched us in ways
we will never forget.

Although no words of sympathy can ease the loss you bear,
Still, may you find some comfort knowing others truly care.

 

        

 


 

                         BIBLIOGRAPHY

 

Benét's Reader's Encyclopedia, Third Edition, Katherine Baker Siepmann, ed., 1987, Harper-Collins Publishers, Inc., 10 East 53rd Street, New York, N.Y. 10022.

 

Gould, F. J., Funeral Services Without Theology, A Series of Addresses Adapted to Various Occasions, second edition, revised, [issued for the Rationalist Press Association Limited], Watts & Co., London, Johnson's Court, Fleet Street, E.C.4 (1923).

John Denver Anthology: Piano Vocal, Milton Okun, ed., Cherry Lane Music Publishing Co., Inc. (1982).

Lamont, Corliss, A Humanist Funeral Service, Prometheus Books, Buffalo & New York City (____).

 

               

 

RESOURCES FOR BUDDHIST FUNERAL SERVICES:

http://www.nbo.org.uk/funerals/funerals.htm

 

 
 

BUDDHIST CEREMONIES GUIDELINES--WEDDINGS AND FUNERALS:

http://www.buddhanet.net/funeral.htm

 
 

GUIDE TO A PROPER BUDDHIST FUNERAL:

http://www.buddhanet.net/pdf_file/buddhist_funeral.pdf

 
 

BUDDHIST FUNERAL SERVICE GUIDE:

http://www.death-and-dying.org/funeral-service.htm/

 
 

WHAT BUDDHISTS BELIEVE:

http://www.death-and-dying.org/funeral-service.htm/

 
 

ILLUSTRATED BUDDHIST FUNERAL CEREMONIES:

http://www.thaiworldview.com/bouddha/ceremon6.htm

 
 

TEXT FILES ON BUDDHISM DEATH & FUNERALS

http://www.urbandharma.org/pdf/buddhist_funeral.pdf